• Cinephilia

    Review: The Favourite

    About a decade ago, when I was a young, budding, innocent cinephile, I heard about this film, Dogtooth. You must see it, they said. Naive and trusting as I was, I did just that. And I was never the same again.  Dogtooth is filmmaker Yorgos Lanthimos’s break-out feature about grown siblings confined to their home by over-protective parents. Claustrophobic as that may sound, things go very, very quickly from strange and intriguing to flat out weird, leaving one to wonder just what boundaries Lanthimos and co-writer Efthymis Filippou have left to cross. That film went on to garner an Oscar nomination, and Lanthimos went on to make more weirdly wonderful films,…

  • Cinephilia

    Review: Maria By Callas

    I’ve attended more opera in the last year than I have in all my years of attending theater (and that’s a lot of years!). Thanks to my in over at Third Coast Review, I’ve been able to see several productions at Chicago’s acclaimed Lyric Opera, and I’m always impressed by the grand scale of it all. From the lavish sets to the talented performers to the music and melodies that have endured for decades (if not centuries), it’s all quite an affair to behold. No one quite embodies the grandeur of the contemporary opera stage more than Maria Callas, the soprano who remains so popular today that even non-opera fans…

  • Cinephilia

    Review: A Private War

    This Halloween, girls and women of all ages took to dressing up as heroes; a particular favorite appeared to be Supreme Court Justice Ruth Bader Ginsburg. She’s having quite a moment, after all, with the release of RBG, the rousing documentary about her life, the forthcoming On The Basis of Sex that sees Felicity Jones portrays a young Ginsburg, and, you know, the current administration and the risk to a generation of court decisions should she not outlast it.  After seeing A Private War, I’d make the case that there’s another real-life figure for women (and men!) to admire and emulate: foreign affairs correspondent Marie Colvin (here inhabited to stirring effect by…

  • Cinephilia

    Review: Wildlife


    Sometimes, when an actor says he or she is actually interested in directing, there’s a collective eye-roll from those within earshot. It’s like a singer saying “But what I really want to do is…act!” These talents don’t often overlap, making those who have successfully made the leap from one discipline to another all the more impressive. Add Paul Dano to that list of the latter, those who’ve earned their bragging rights as a multi-hyphenate. His directorial debut, Wildlife (which he co-wrote with Zoe Kazan, adapted from a book by Richard Ford), lands squarely in the “impressive” camp as it explores a nuclear family’s breakdown in the 1950s from the perspective of only child…

  • Cinephilia

    Review: Beautiful Boy

    Beautiful Boy

    You'll watch most of Beautiful Boy with a lump in your throat. The story of a father and son (Steve Carell and Timothee Chalamet) navigating the younger man's battle with addiction, the whole film is achingly tender, wounds and vulnerabilities exposed to the light in ways that aren't always easy to watch, but are always worth the attention.

  • Cinephilia

    Review: First Man

    First Man

    Damien Chazelle has come a long way from his first feature film, the no-budget hipster indie musical Guy and Madeline on a Park Bench (it’s in black and white, for Pete’s sake). Like Scorsese with Leonardo DiCaprio, he’s also struck up a bit of a creative partnership (and one imagines a friendship) with Ryan Gosling, who sang and danced his way through La La Land, the musical perhaps best known for losing Best Picture to Moonlight. Chazelle, however, did win Best Director that year, and with each new film he puts his name on, we’re witness to an artistic evolution of a filmmaker gaining both confidence and skill as he goes. First Man, based…