This is a cross-post with Third Coast Review.
It’s often said that film is the most collaborative of arts. It takes a village, so to speak, to create ninety minutes of story and visuals that move us, inspire us, scare us, entertain us. When everything comes together seamlessly, no one aspect of the film overshadows any other.
There are those cases, of course, where a certain element of the production trumps all others. Sometimes it’s the score that soars over every scene, or the cinematography that breathtakingly captures a world on screen.
In the case of A Fantastic Woman, an Oscar nominee for Best Foreign Language Film from Chile, it’s one performance that sends an already wonderful film into greatness. Daniela Vega is Marina Vidal, a trans woman scraping by with a waitressing job and dreams of being a singer. When her older boyfriend, Orlando, dies suddenly after celebrating her birthday, she faces her own grief and the prejudices of a family who want nothing to do with her.