• Cinephilia

    Review: Everybody Knows

    Everybody Knows

    What’s most striking about writer/director Asghar Farhadi’s (A Separation, The Salesman) new film, Everybody Knows, even with strong performances and its setting in lush Spanish wine country taken into account, is the language of the thing. And that’s not a euphemism, some reference to a universal cinematic language. I mean actual, spoken language. Farhadi, an Oscar-winner for both A Separation and The Salesman, is an Iranian filmmaker, and his previous works are, not surprisingly, set mainly in that country and delivered in Persian. Everybody Knows, on the other hand, transports the action to a village northeast of Madrid, for a film that’s entirely in Spanish. According to the production notes, Farhadi was inspired to…

  • Cinephilia

    Review: Never Look Away

    Never Look Away

    For those of us who pay attention to this sort of thing, this year’s contenders for the Academy Award for Best Foreign Language Film are collectively the strongest group of nominees in recent memory. From the masterpiece that is Alfonso Cuaron’s Roma to Nadine Labaki’s devastatingly impressive Capernaum, they are films of achievement in every sense of the word. After his feature-length film debut The Lives of Others won the award in 2007, writer/director Florian Henckel von Donnersmarck returns to the category with Never Look Away, a sweeping if inconsistent drama about creating art, life and a better world in the face of oppression and evil. With a bar set very high indeed, Never…