• Cinephilia

    Review: Fast Color

    Filmmaker Julia Hart has a knack for casting. Three years ago at SXSW, I got to see her directorial debut, Miss Stevens, a surprisingly poignant road comedy about a high school teacher who chaperones her students to a drama competition, starring the impeccable Lily Rabe in the title role and a then-little-known Timothée Chalamet as one of her students. Hart co-wrote that film with her husband, Jordan Horowitz (best known as a producer on the likes of La La Land), and the two have teamed up again for Fast Color, a female-centric origin story that flips the idea of superheroes on its proverbial head. Here, the casting again stands out, with the divine…

  • Cinephilia

    Review: Diane

    Just a few weeks after Sebastian Lelio gifted us with an English-language remake of Gloria Bell, about a woman in her 50s looking for love and connection in Los Angeles, writer/director Kent Jones (Hitchcock/Truffaut) puts his own spin on the solo female protagonist story with Diane. The similarities between the two end there, however. This time starring Mary Kay Place (Being John Malkovich, Girl, Interrupted) in the titular role, the film revolves a life she’s built devoted to others: her drug-addicted son Brian (Jack Lacy); a cousin in hospice care (Deirdre O’Connell); the men and women she and her best friend Bobbie (Andrea Martin) serve at the local soup kitchen. But where Lelio…

  • Cinephilia

    Review: Dumbo

    There’s an ironically gleeful moment in the third act of Tim Burton’s live-action remake of Dumbo that all but sums up the film as a whole. Alan Arkin, a wonderfully silly casting choice as the capitalist banker deciding whether to invest in a theme park named Dreamland, looks out at the park, engulfed in flames after a performance gone very awry, and says without a hint of self-awareness (or perhaps with all the self-awareness in the world), “Well, this is a disaster.” Indeed, it is. Burton’s been in a bit of a slump as of late, and his latest–for all its delectable on-screen eye-candy–is no exception. Devoid of any sentiment at all (except,…