• City Stories

    Review: The Mousetrap

    Perhaps best known as the longest-running play ever (notching north of 28,000 performances and counting), Agatha Christie’s The Mousetrap has been continuously on stage in London’s West End since 1952. Now, the reliably entertaining murder mystery set over a few snowed-in days at the remote (and fictional) Monkswell Manor finds its way to a stage much closer to home. Hyde Park’s Court Theatre presents a vibrant, comical take on this evergreen whodunnit through February 16. Directed by Sean Graney, the ensemble piece set in the “present day” (really, the post-war era of its original premiere) is here infused with bold color choices, whimsical set design and a self-aware sense of humor throughout…

  • City Stories

    Review: Once On This Island

    Just a few blocks north of the heart of Times Square and next door to the massive Gershwin Theatre (capacity: 1,900) is a more intimate space, an 800-seat theater built for unique productions that immerse their audiences into the world created on stage eight times a week. The aptly named Circle in the Square Theatre presents shows that make the most of the space’s thrust stage, with seating surrounding three of the four sides. I’ve seen a couple shows there, including the magnificent (and Tony Award-winning) revival of Oklahoma! headed on tour this fall, where they serve homemade chili on stage during intermission. Before Oklahoma!, Circle on the Square was host to another…

  • Just This

    Review: “An Inspector Calls” at Chicago Shakes

    This is a repost from Third Coast Review; no films this week for me to review, so I’m sharing a theater review I’m particularly proud of. Without ever brandishing so much as a pistol or pocketknife, upheaval and conflict are at the center of J.B. Priestley’s An Inspector Calls, a play that lays out in no uncertain terms the dangers of unchecked privilege, entitlement and hypocrisy. Set in 1912 England, the play was first produced in 1945 for audiences, one can safely assume, still very raw with war wounds both literal and figurative. A drawing room drama in three acts, the play centers around the upper-crust Birling family and the police…